CAGGIATI CATALOGO PDF

Caggiati, Colorno, Italy. likes. Matthews International Martiri della Libertà, 71 – Colorno Parma +39 Fax + Upload a PDF or design from scratch flyers, magazines, books and more. Author: iof boschetto, Catalog: Catalogo monumenti Caggiati parte 2, Published: Sep. Catalogo monumenti Caggiati parte 7. Published on Sep 19, Catalogo monumenti Caggiati parte 6. Published on Sep 19, Catalogo monumenti.

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The metal design is applied to the urn with an engraving technique. Lightness and suspension are the themes of the project Anima. The broken objects reveal a precious and unexpected soul, which enhances, by contrast, the dark outer appearance.

The square supporting columns act as a mobile display pedestal for the urns.

caaggiati The basic component consisting of intertwined branches is made in Corian. The two spaces of the infinity sign act as two functional areas; one houses the urn itself, while the other is for the floral decoration that perpetuates life and loving memory.

The luminous bulb is characterised by a harmony of reflections and light created, in nature, by cafgiati of water. The items, lamp and vase, are made in extra-thick bronzed fusion, subsequently hand-worked to create the contrasting surfaces – opaque and rough ccaggiati the outer parts and smooth and sparkling for the sections.

The natural image of the outer forms reveals a heart of ancestral power, almost as if it were made of metal melted by the gravitational forces concentrated within the core of the rocks themselves. The solid construction renders the objects sturdy and durable.

The project interprets the phenomenon of the decaying of the skin of solids while capturing the aesthetic and dynamic qualities. The bird delicately quenches its thirst at the vital source, giving continuity to the natural cycle of existence. Xaggiati is made in stainless steel, subsequently cold-set in the niche created on the front of the cube.

Caggiati – StoneEquip – Pat Swayne Supplies Ltd

This project interprets infinity as a mark of spatial and visual continuity that, caggiahi turn, encloses two distinct spaces created by distorting the curved lines of the material. In this project the marks left by time in turn become graphic signs of discontinuity and the rhythm of the horizontal element.

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The wavy surface accommodates the lamp and the single-stem vase. The black element delicately welcomes renewed life. The project is the visible result of a desire to profoundly change the product cattalogo relating to commemoration and commemorative ornaments.

The object, completely in stainless steel, is catslogo up of three curved metal plates mounted on runners, allowing them to slide horizontally in order to freely set their length. The image cafalogo accompanies the installation evokes the intrinsic meanings of each object and helps to recall the sensations that the project conveys.

Headquarters and Executive Offices: The Italian company Matthews International SpA, world leader in the study, development and production of decorative and commemorative items presents the six collections of its new brand Caggiati Design during an event in the capital of design.

The bird drinks from the fountain of life and conveys the sense of the perpetuation of life and the renewal of the earthly experience. The identification plaque is made with a wavy design that follows the profile of the urn. The body of the urn is made in PMMA of a warm grey colour. Behind the plates is an area for lighting and flowers.

It rests lightly on the object, which also holds flowers, a metaphor for flora, and together they both drink from the same source of water. A complete form is broken up yet remains locked inside a timeless interlude.

The piece is made in solid PMMA which has been polished to create the effect of the refraction of light inside the material. The shininess of the metal creates different reflections according to catgiati curve that the piece physically assumes. The ancient symbol of infinity dates back to the romantic period. Features two specular figures for left and right mounting. The display system was created to render the caggiayi aspect of each element clear and interesting.

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There are two colour variations: In this project nature regains possession, in an aesthetic and controlled manner, of the human artefact. The ornament suggests this natural condition in which commemorative monuments are historically situated. It also carries the images and the texts displaying the names and meanings of the projects.

The entire object may be mounted cagyiati the left or on the right by simply inverting the back part. The form expresses an endless sequentiality between past and present, front and back, extremely fine fabric and dense metal. The shelf elements, in blue Corian, are shaped and smoothed into gentle forms.

The ribbon unfurls and winds under the force of an imaginary wind and its figure dynamically crosses upwards with increasing power the entire available space from left to right. The project is a plastic metaphor. Vegetation, with its constant and silent growth, accompanies the flow of time. The collections of objects tend to express the contemporary design culture through evolved materials and forms designed with digital technologies.

The forms are modelled by the forces of nature and refer to the image of rocks shaped over time by the flowing of the waves of a river.

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The phytomorphic shape is the decorative graphic theme of the urn, like an inflorescence growing on the same shape, giving a naturalistic air to the object which, in itself, has decidedly abstract contours.

The forms are mechanically locked in the final position of balance. The project represents an energetic effort to place commemorative ornaments within the heart and the sensitivity of our time. The bird is in stainless steel, and is mechanically fixed to the surface of the cube to enable it to maintain a balanced plastic pose.